Archives for category: Raps

When I did the Rare Birds video I sent it out to a bunch of folks. One of whom is an ex-girlfriend. Whom I’ve remained friendly with, often talked her through some tough times, and just been genuinely amicable to. She’s a difficult person. Self-destructive, and refuses to fix her situation, has the capacity for great talent but refuses to treat life with severity. So, anyways, she calls me up going on about how my raps are misogynistic. Now, she’s qualifying all of my music as such based on the line “If life’s a bitch I got that bitch on all fours/and she’ll be cleaning up my bathroom while I’m chilling next door.” If you ask me, that line is not at all misogynistic, but I don’t have a feminist agenda.If you ask me, that line inverts the typical metaphor in rap which is: life’s a bitch and I’m fuckin her. Well me, I don’t fuck with bitches. Bitches aren’t worth my time. I love women, and ladies. Thus, in refusing to fuck the bitch of life, and instead putting her to work cleaning up my bathroom, I offer a different take on priorities and common rap metaphors. Don’t fuck bitches, they don’t deserve your emotion.

I went to grad school, and I’ve spent a lot of time educating myself outside of school. I’m smart, in fact I’m very smart–no reason to not say it. Unlike a lot of other rappers, I am perfectly capable of defending my art against these kinds of overly-intellectualized attacks on hip hop that rely on reducing every rapper to the lowest common denominator. The funny thing is, this is just a girl who has lead a very sheltered life, who can’t relate to the real-world depictions of hip hop. That’s fine, no fault there. But there is a huge line being crossed when she begins to pass judgment, and speak on the value of an art form that she knows nothing about.Not to mention the fact that she was happy to type out the word n****r, and claim that what I am doing in my raps is tantamount to racism. Read the rest of this entry »

Brand new video!!!! Anotha Kinda Southern is still on schedule to release next month, and Rare Birds is the follow up record dropping later this year. This is the title track. I kept it super simple with this beat and really let the raps do their thang. It was fun making it, and I hope that this reminds people how much vitality hip hop is capable of. Plus, it showcases my killer dance moves. Watch it in full resolution.

Lol, that picture has nothing to do with anything, but I look respectable there. I’m nearing completion on the follow-up for Anotha Kinda Southern (which is yet to be released). THe album is called Rare Birds. I got 2 tracks produced by friends. And there might be some guestings.

So, this is the title track. Rough mix, unmastered, but I think this shit is super raw. Lyrics after the jump.


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See, I’m blessed. I started getting serious about freestyling and battling in Orlando in the year 2000. There were so many incredible people in that scene, and there was always shit going down. And if you ever tried to kick a written, the audience would snatch your wig with an incredible enthusiasm.

So now, I can kick fast rap freestyles, and rock a crowd on the seat of my pants. Rapping is a sacred craft, and most of these fuckin boners don’t wanna act like it. I’ll tell you right now, all those people calling written raps freestyles, they’re gonna go to hell when they die.

These videos are from Monday Night Hip Hop. I started going a few months after i moved to New York, and I may have missed a dozen of them the whole time I lived there. I love love love, freestyling with enthusiatic rappers, and bad-ass musicians. It’s hosted by Ill Spokinn and Mariella who help to make it into a tight-knit community of folks. As far as I know this is the realest rap shit happening in New York. And to anyone who wants to say that NY hip hop is dead, I’d suggest swinging by here before you do so. It’s never anyone famous–except for the occasional session drummer–just a bunch of real-ass folks rappin and gettin down like they’re supposed to.

I don’t miss NY, but there’s things I miss about it, and Monday Night Hip Hop is one of them.

I’m a big fan of stuff that’s easily done, but still compelling. I hope that this compels you. I made the beat in Ableton, then recorded the raps in Ableton, then recorded the video on photobooth, then edited the video in the original Ableton song file. Sick.

I woke up this morning and had a tweet form Sole pointing me towards this new track El Dorado. I was inspired, and also had some gumption left over from some twitter beef with a rapper, so I made this track. All told, it was about 3 hours start to finish from making the beat, to mixing the vox, to making the cover. Lemme know if there’s some other rap songs with Tuvan throat singing on them. This song’s not gonna be on Anotha Kinda Southern. But it will be on this other amalgamated project “Rare Birds” that I’m working on. Download, and Lyrics after the jump: Read the rest of this entry »

While that is not my butthole it accurately conveys my sentiments towards 99% of the rappers out there. Lil Wayne, Knaye West, TI, Fred The Godson, Vado, MAc Miller, Big Sean Wiz Khalifa, Kid Cudi, you all have zero skill when it comes to rapping. You are all terrible at what you do. You lack cadence, you lack the ability to write great lyrics, and you lack the ability to convey compelling experiences. Leonard Cohen shits all over all of you. And so do I.

FAKE RAPPERS KISS MY DICK. HERE IS MY VERSION OF MONSTER I AM BETTER THAN ALL OF YOU (AND IF YOU BITCH MADE HEART PUMP KOOL AID MOTHERFUCKERS HAVE EVEN THE SLIGHTEST SEMBLANCE OF A SPINE YOU’LL COME AT ME):

If yall monsters Im planets

Download is HERE

I made the whole video. Filmed it and rapped it and danced it and everything. I love you life. I love you especially ladies.

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The above track is titled “Whale Gorillaz”. It uses an edit of Gorillaz “Stylo”. You can read the lyrics here. It’s the eighth track on a thirteen track mixtape. Of…

New raps over familiar tunes… Read the rest of this entry »

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